Why Cities Look the Way They Do by Richard J. Williams

Author:Richard J. Williams
Language: eng
Format: epub
Publisher: Wiley
Published: 2019-06-30T16:00:00+00:00

Notes

1 S. Freud, ‘Civilized sexual morality and modern nervous illness’ and ‘Civilization and its discontents’, in Civilization, Society and Religion, Penguin Freud Library vol. 12 (London: Penguin, 1991), pp. 256–257.

2 Freud, Civilization, Society and Religion, pp. 27–56, 243–340.

3 Freud, ‘Civilized sexual morality’, p. 35.

4 G. Simmel. ‘The metropolis and mental life’, in N. Leach (ed.), Rethinking Architecture (London: Routledge, 1997), pp. 67–85.

5 Freud, ‘Civilization and its discontents’, pp. 286, 293.

6 T. J. Clark, The Painting of Modern Life: Paris in the Art of Manet and his Followers (London and New York: Thames and Hudson, 1985), pp. 79–146, 205–258.

7 G. Pollock, Vision and Difference: Femininity, Feminism, and Histories of Art (London: Routledge, 1988).

8 W. Benjamin, The Arcades Project (Cambridge, MA: Harvard University Press, 1999), pp. 489–515.

9 B. Friedan, The Feminine Mystique (New York: W. W. Norton, 1963).

10 J. Jacobs, The Death and Life of Great American Cities (New York: Vintage Books, 1961), pp. 63–66.

11 B. Forbes (dir.), The Stepford Wives (1975).

12 M. Foucault, History of Sexuality, 3 vols. (London: Penguin, 1979–84).

13 J. Butler Gender Trouble: Feminism and the Subversion of Identity (New York: Routledge, 1990).

14 R. Sennett, Flesh and Stone: The Body and the City in Western Civilization (New York: Norton, 1996).

15 See also the broadly erotic theme of the 11th Venice Architecture Biennale, curated by Aaron Betsky: A. Betsky, Out There. Architecture Beyond Building: 11th International Architecture Exhibition La Biennale di Venezia (Venice: Marsilio, 2008).

16 http://www.cruisingpavilion.com/.

17 Blinderman, quoted in F. Anderson ‘Cruising the queer ruins of New York's abandoned waterfront’, Performance Research, 20, 3 (2015), p. 136.

18 For a good (outsider's) account of the Mineshaft, see S. Brook, New York Days, New York Nights (London: Picador, 1985).

19 B. Tschumi, Architecture and Disjunction (Cambridge, MA: MIT Press 1996), pp. 70–76. The essay ‘Architecture and transgression’, from which this comes, was published in 1976.

20 Reported to me in various private conversations. See also G. Butt, Between You and Me: Queer Disclosures in the New York Art World, 1948–1963 (Durham, NC: Duke University Press, 2005).

21 See, for example, the account of Foucault in Hamburg, in D. Macey, The Lives of Michel Foucault (London: Vintage, 1994), pp. 86–87.

22 R. Florida, The Rise of the Creative Class (New York: Basic Books, 2012 [2002]).

23 Florida, The Rise of the Creative Class, pp. 237–239.

24 Florida, The Rise of the Creative Class, p. 241.

25 M. Lagos, ‘Twin Peaks – gay bar, historic landmark’, SF Gate (19 January 2013).

26 R. T. Davies (writ.), Queer as Folk (Red Productions/Channel 4, 1999).

27 S. Quilley, in J. Peck and K. Ward (eds.), City of Revolution: Restructuring Manchester (Manchester: Manchester University Press, 2002), p. 93.

28 On the anxieties surrounding the success of gay liberation, see A. Sullivan, ‘The end of gay culture’, The New Republic (24 October 2005).

29 Commentary on growth of participation, and public funding in ‘Parada LGBT em São Paulo deve reunir 3 milhões de pessoas’, Veja (17 June 2017).

30 On gentrification, see N. Callaghan and P. Gower, ‘London's property prices push sex out of Soho’, Bloomberg (27 June 2014); this was also widely reported elsewhere. For an academic account, see E. Sanders-McDonagh, M. Peyrefitte and M. Ryalls, ‘Sanitising the city: exploring hegemonic gentrification in London's Soho’, Sociological Research Online, 21, 3 (31 August 2016).

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